Friday, October 30, 2009

Personal Life by Tokyo Jihen



I'm wasting oxygen, seas, gasoline, and a lot of kindnesses.
I'm working for life and eating up the city.
I hope that the mechanism of your left cheek doesn't fall into disorder when you smile.

To the fair wind here, please blow for me.
Things behind me are just memories.
When I'm able to take in the opposing wind, I'll finally be renewed.

I'm wasting sunsets, Autumns, and a few encounters.
I keep on going back and forth, to butter up people/the times/the age.
I must seem miserable and pathetic in your eyes.

Compass, now, please show me where I am and point to the right direction.
Even if I have to memorize the existing maps, I'll definitely head towards you.

I want to stay gently close to you when you are feeling alright.
How long is there for me to live? Please don't go away.
Let me catch up with you. Please wait a little while more.
You're living your life, further and further away from me.
This makes up how I lead my life.

Wednesday, October 21, 2009

The Hurt Locker


In the war-torn Iraq of 2004, terrorism is rife. Bombs can be found anywhere, even in the most inconspicuous plastic bags at the roadside amidst the rubble of what might once had been a wall at the nearby building.

In The Hurt Locker, we see the Explosive Ordnance Disposal (EOD) unit of the US Army is tasked with the perilous mission of defusing these bombs in this hostile landscape.

I may give the idea that I know a lot about this film before I watched it, but I don't. I usually 'do my homework' on movies before I choose to catch them, but in this case, I watched it without knowing anything except a vague description of "many explosions" from my bf.

Which is why it came as a pleasant surprise for me to watch this fabulous movie.

"Real and raw" is what I would describe this dramatization of urban warfare. I love how cinematographer Barry Ackroyd seizes your utmost attention (& panic for me) as he seamlessly weaves the critical scenes into one great film. By capturing both the macro and micro angles, he not only shows tension, but emphasizes on it while adding the 'real' element in it.

Director Kathryn Bigelow does a great job at depicting the insecurity and life of the three soldiers in the Bravo company. This documentary-like film portrays how their daily missions there is like a huge gamble they make on their lives well everyday by just carrying on with their tasks.

This gripping movie has won me over with its brilliant cinematography in fifteen minutes. 116 minutes later, I walked out of the cinema as a fan.